The controversy of Renaissance art / (Record no. 26884)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03920cam a22003254a 4500 |
| 001 - CONTROL NUMBER | |
| control field | 16198339 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20170207084625.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 100421s2011 ilua b 001 0 eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2010017310 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780226567723 (cloth : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0226567729 (cloth : alk. paper) |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N6915 .N27 2011 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Nagel, Alexander. |
| 245 14 - TITLE STATEMENT | |
| Title | The controversy of Renaissance art / |
| Statement of responsibility, etc. | Alexander Nagel. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | Chicago ; |
| -- | London : |
| Name of publisher, distributor, etc. | The University of Chicago Press, |
| Date of publication, distribution, etc. | c2011. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xi, 358 p. : |
| Other physical details | ill. ; |
| Dimensions | 26 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | A nontriumphant Renaissance -- The reformation that never happened in Italy -- Pre- and post-Trent -- Range of the study -- Excavations in Christian art -- Effects of estrangement -- "These are your idols, which you have put in my temple" -- Theater and its double -- Aart historians and their precursors -- The time of the other -- Attending effigies interior cult and exterior cult whores and idols -- Erasure, defacement, unmasking -- Reform as art restoration -- Defamiliarized icons -- The "puppet painter" gets a hearing -- Erasmus unmasks the saints -- Excavations of the image -- A picture of indeterminate subject and uncertain finish -- Threshold painting -- Figures in a loose and unready state -- Images from the underside -- Drawing brought to the surface -- Reconfigurations -- Christian art that is no longer -- Related experiments -- Re-mediations of the altarpiece -- The painter's new profession -- Raphael extracts the icon -- Vision as re-mediation -- Structures of archaism christocentrism -- Transmutation chamber -- Christ as idol -- Animated statues -- Sculpture and the pictorial imaginary -- The idol in Saint Augustine's study -- Statue + column = idolatry in the round and from behind -- Showdown in the arena of painting -- Ficino's ambivalent defense of image magic -- The crucifix as anti-statue -- The antique statue of Christ -- "Christ, who deserved a statue, received instead a cross" -- A statue of Christ from the Holy Land -- Replication and retroactivation -- An antique Christ at the Minerva -- Rhetorical interferences -- Form as symbol -- Avatars of the golden calf in the works of Andrea Riccio -- Gregorio Cortese commissions art at Santa Giustina, 1513 -- Moses and polytheism -- A Moses-idol -- Repetition compulsion -- Christ as idol -- The work of conversion -- Uncompromising logic -- Fire takes the form of bronze -- Recursions -- Religion on earth -- Soft iconoclasm -- Architecture as image -- Forms of iconophobia in Italy -- A semiotic contest -- Replacement and reversion -- Early interventions at Florence and Siena -- Figuration and fulfillment, and vice versa -- "All the other things are shadows" -- The tabernacle in the matrix -- "So long as it is not about saints" -- Raimondi's I modi in Giberti's Rome -- Pornography as iconoclasm -- Nonprocreative art -- A new model of church art at Verona cathedral -- The virgin becomes architecture -- Borromeo interprets Giberti -- The most abstract altarpiece of the Italian Renaissance -- The Vicenza altar and reform circles in northern Italy -- Adventures in aniconism -- The virtues of stones -- The world is an animal -- Displacement. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art, Renaissance |
| Geographic subdivision | Italy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art |
| Geographic subdivision | Italy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Christian art and symbolism |
| Geographic subdivision | Italy. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | Hard Covered Materials |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | MACHAKOS UNIVERSITY LIBRARY | MACHAKOS UNIVERSITY LIBRARY | Technical section | 07/02/2017 | Donation(BFA) | N6915 .N27 2011 | 34519 | 06/07/2018 | 07/02/2017 | Hard Covered Materials |