| 000 -LEADER |
|---|
| fixed length control field |
03675cam a22003378i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
23298203 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20250703091433.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
230827s2024 enk b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2023032094 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781032335803 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781032335797 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781003320296 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
23298203 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
MksU |
| Language of cataloging |
eng |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1995.9 |
| Item number |
.D6W27 2024 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
070.1/8 |
| Edition number |
23/eng/20230909 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Walsh, Shannon, |
| Relator term |
author. |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The documentary filmmaker's intuition : |
| Remainder of title |
creating ethical and impactful non-fiction films / |
| Statement of responsibility, etc. |
Shannon Walsh. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
London, UK : |
| Name of publisher, distributor, etc. |
Routledge, |
| Date of publication, distribution, etc. |
2024. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiv, 244 pages ; |
| Dimensions |
24 cm |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Documentary production : fear, failure & intuition -- Finding stories & ideas -- Research, access & point of view -- Ethics : representation, subjectivity and the colonized image -- Challenging forms(s) : ecstatic truth & elusive fiction -- Intimacies : autobiography, family histories and personal story-telling -- Script & treatment writing for documentary -- Developing strategies for impact -- Shooting & editing in development -- Preparing the pitch : structure and components of a good pitch -- Directing with the moment : aliveness, adaptation and awareness -- Preparing for production : considerations as you start shooting -- Ethics in production : dealing with film participants and crews -- Talking to strangers : establishing relationships & doing interviews -- Building community through filming community -- Post-production : editing, organizing material and re-writing -- Sparking impact : creating strategies for change -- Marketing & distribution in the digital age. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"This book is an introduction to the art and craft of documentary film making with a focus on ethics and impact from development through distribution. Author Shannon Walsh explores point-of-view storytelling, writing for non-fiction, and the art of social change documentary. Offering an overview of the documentary filmmaking process - from idea to pitch to a final film and impact campaign - this book provides non-fiction filmmakers with the methods required to find a voice, style, and cinematic approach to documentary filmmaking. Key areas covered include: definition of styles and genres of documentary film; project development and proposal writing; basic elements of documentary storytelling such as interview techniques, verité filming, use of archives, stills, and point of view; the process of preparing and delivering a project pitch; pre-production; and finding the necessary elements to tell a story cinematically. With a specific focus on ethics and character driven storytelling, Walsh shares her own personal insights on talking to strangers, the importance of empathetic listening skills and intuition, and provides useful worksheets that filmmakers can use for their own projects. This book is ideal for both students of documentary filmmaking and aspiring documentary filmmakers who are interested in creating ethical and impactful films"-- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Documentary films |
| General subdivision |
Moral and ethical aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Documentary films |
| General subdivision |
Production and direction. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Online version: |
| Main entry heading |
Walsh, Shannon. |
| Title |
Documentary filmmaker's intuition |
| Place, publisher, and date of publication |
Abingdon, Oxon ; New York, NY : Routledge, 2024 |
| International Standard Book Number |
9781003320296 |
| Record control number |
(DLC) 2023032095 |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Hard Covered Materials |
| Classification part |
PN1995.9 .D6W27 2024 |