Studies in honor of Frederick W. Shipley, by his colleagues ...

By: Washington University (Saint Louis, Mo.)Contributor(s): Shipley, Frederick W. (Frederick William), 1871-1945Material type: TextTextSeries: Washington University studies. New series. Language and literature ; no. 14Publication details: St. Louis, 1942Description: xi, 314 p. front. (port.) 25 cmDDC classification: 041 LOC classification: AS36 | .W29
Contents:
Frederick William Shipley, by G.R. Throop.--A Constitutional doctrine re-examined, by D. McFayden.--The use of fire in Greek and Roman love magic, by E. Tavenner.--Thucydides and the causes of the Peloponnesian War, by T.S. Duncan.--Prehistoric Macedonia, by G.E. Mylonas.--Classical "Ariels," by Otto Brendal.--An Aesopic allusion in the Roman d'Alexandre, by Bateman Edwards.--The poetic theories of Minturno, by Bernard Weinberg.--Pereda's realism; his style, by Sherman Eoff.--Early English and American critics of French symbolism, by B. A. Morrissette.--Bibliographical data on Diderot, by H. Dieckmann.--Rosencrantz and Guildenstern, by W.R. Mackenzie.--The contemporary reception of Edmund Burke's speaking, by D.C. Bryant.--The moral sense of simplicity, by R.F. Jones.--Imitation as an aesthetic norm, by F.O. Nolte.--Immediacy; its nature and value, by C.E. Cory.
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Frederick William Shipley, by G.R. Throop.--A Constitutional doctrine re-examined, by D. McFayden.--The use of fire in Greek and Roman love magic, by E. Tavenner.--Thucydides and the causes of the Peloponnesian War, by T.S. Duncan.--Prehistoric Macedonia, by G.E. Mylonas.--Classical "Ariels," by Otto Brendal.--An Aesopic allusion in the Roman d'Alexandre, by Bateman Edwards.--The poetic theories of Minturno, by Bernard Weinberg.--Pereda's realism; his style, by Sherman Eoff.--Early English and American critics of French symbolism, by B. A. Morrissette.--Bibliographical data on Diderot, by H. Dieckmann.--Rosencrantz and Guildenstern, by W.R. Mackenzie.--The contemporary reception of Edmund Burke's speaking, by D.C. Bryant.--The moral sense of simplicity, by R.F. Jones.--Imitation as an aesthetic norm, by F.O. Nolte.--Immediacy; its nature and value, by C.E. Cory.

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