000			01904cam a2200301 a 4500
001			12515185
005			20160711115033.0
008			010827s2002 mnua bq s001 0deng
010			_a 2001005280
020			_a081663789X (HC : acidfree paper)
020			_a0816637903 (PB : acidfree paper)
040			_aDLC _cDLC _dDLC
050	0	0	_aPN1998.3.A48 _bS45 2002
082	0	0	_a791.43/0233/092 _221
100	1		_aSelf, Robert T., _d1941-
245	1	0	_aRobert Altman's subliminal reality / _cRobert T. Self.
260			_aMinneapolis : _bUniversity of Minnesota Press, _cc2002.
300			_axxix, 332 p. : _bill. ; _c24 cm.
440		0	_aCommerce and mass culture series
504			_aFilmography: p. 281-282.
504			_aIncludes bibliographical references (p. 283-315) and index.
505	8		_aMachine generated contents note: Introduction: Authorial Voices vii --Part I.Narrative Formations -- 1.Reading Strategies: Constructing Kansas City 3 -- 2.New American Cinema and MASH 22 -- 3.Art-Cinema Narration: 3 Women 45 -- 4.Generic Art: Romance and Adventure 74 --Part II.Identities in Patriarchy -- 5.Masculine Subjects: Nixon, Tanner,and the Gingerbread Man 107 -- 6.Resisting Women: Madness, Dreams, and Art 144 --Part III.Putting on the Show -- 7.Reflexive Show Business: Nashville and the Wild West 179 -- 8.Fiction's Fashion: Paris Originals and Hollywood Imitations 215 -- 9.Worlds Elsewhere: Short Cuts 244 -- Conclusion: The Alternative Gaze 266.
600	1	0	_aAltman, Robert, _d1925-2006 _xCriticism and interpretation.
856	4	1	_3Table of contents _uhttp://www.loc.gov/catdir/toc/fy041/2001005280.html
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBOOKS _hPN 1998.3 .A48S45 2002
999			_c11616 _d11616